Beethoven, Haydn: Piano Concertos / Argerich, London Sinfonietta
*** This title is a reissue of a Japanese release with liner notes in Japanese. ***
...the two 1980 concerto performances she made, as director/pianist, with the London Sinfonietta. Of the two it’s the Haydn that is the more immediately appealing, not that the Beethoven is disappointing, with its lissom drive, rhythmic verve and incision in the outer movements and a penetrating stillness and beauty of tone in the slow movement with its superbly realised cadenza.
-- Jonathan Woolf, MusicWeb International
reviewing these performances previously released as RCA 98836
...the two 1980 concerto performances she made, as director/pianist, with the London Sinfonietta. Of the two it’s the Haydn that is the more immediately appealing, not that the Beethoven is disappointing, with its lissom drive, rhythmic verve and incision in the outer movements and a penetrating stillness and beauty of tone in the slow movement with its superbly realised cadenza.
-- Jonathan Woolf, MusicWeb International
reviewing these performances previously released as RCA 98836
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*** This title is a reissue of a Japanese release with liner notes in Japanese. ***
...the two 1980 concerto performances she made, as director/pianist, with the London Sinfonietta. Of the two it’s the Haydn that is the more immediately appealing, not that the Beethoven is disappointing, with its lissom drive, rhythmic verve and incision in the outer movements and a penetrating stillness and beauty of tone in the slow movement with its superbly realised cadenza.
-- Jonathan Woolf, MusicWeb International
reviewing these performances previously released as RCA 98836
...the two 1980 concerto performances she made, as director/pianist, with the London Sinfonietta. Of the two it’s the Haydn that is the more immediately appealing, not that the Beethoven is disappointing, with its lissom drive, rhythmic verve and incision in the outer movements and a penetrating stillness and beauty of tone in the slow movement with its superbly realised cadenza.
-- Jonathan Woolf, MusicWeb International
reviewing these performances previously released as RCA 98836
